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The Science Of Studio Monitors
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Inside Pro Tools: A Deep Dive into the DAW That Powers the Industry
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Advanced Click Track Workflow in Pro Tools
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Going Out(board) with Joe Carrell
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2
Producing a Song: Start to Finish with Leland Elliott
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6
Mastering with Ted Jensen: Polishing Shiny Happy People
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Mixing Dasha’s “King of Califronia” with Austin Seltzer
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Inside a Vocal Session
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4
Revolutionizing Sound: Ronald Prent on Sony 360 and the Future of Immersive Audio
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1
Vocal Tuning 101 with Nathan Chapman
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1
Mixing an Electronic Dance Track with Austin Seltzer
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1
Tracking a Songwriter (w Connor Pledger)
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1
Understanding Compression
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4
A Simple Mixing Technique with Gear You Already Own
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1
In the Box Vocal Chain for a Perfect Pop Vocal
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1
“Don’t Go By What it Looks Like, Go By What it Sounds Like”: Steve Marcantonio
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1
Mount Rushmore of Producing: Bill Schnee
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More Advice From Niko Bolas
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7
Ebonie Smith: Paving the Way
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Joe Chiccarelli: Master of Distortion
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New
The Science Of Studio Monitors
Studio
1
New
Inside Pro Tools: A Deep Dive into the DAW That Powers the Industry
Studio
9
Advanced Click Track Workflow in Pro Tools
Studio
1
Going Out(board) with Joe Carrell
Studio
2
Producing a Song: Start to Finish with Leland Elliott
Studio
6
Mastering with Ted Jensen: Polishing Shiny Happy People
Studio
1
Mixing Dasha’s “King of Califronia” with Austin Seltzer
Studio
1
Inside a Vocal Session
Studio
4
Revolutionizing Sound: Ronald Prent on Sony 360 and the Future of Immersive Audio
Studio
1
Vocal Tuning 101 with Nathan Chapman
Studio
1
Mixing an Electronic Dance Track with Austin Seltzer
Studio
1
Tracking a Songwriter (w Connor Pledger)
Studio
1
Understanding Compression
Studio
4
A Simple Mixing Technique with Gear You Already Own
Studio
1
In the Box Vocal Chain for a Perfect Pop Vocal
Studio
1
“Don’t Go By What it Looks Like, Go By What it Sounds Like”: Steve Marcantonio
Studio
1
Mount Rushmore of Producing: Bill Schnee
Studio
1
More Advice From Niko Bolas
Studio
7
Ebonie Smith: Paving the Way
Studio
1
Joe Chiccarelli: Master of Distortion
Studio
1
